ENGL 110 CUNY Queens College The Shape of Water Poster Visual Analysis Essay Please help to improve and revise my existing essay, correct grammatical error

ENGL 110 CUNY Queens College The Shape of Water Poster Visual Analysis Essay Please help to improve and revise my existing essay, correct grammatical errors, incoherent sentences, and emphasize topics. Strengthen thesis and arguments.

This Visual Analysis should only focus on the poster of ‘the shape of water.’ Please Do Not involve the plot of the movie, Only Visual Analysis on the poster of ‘the shape of water.’

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To use and connect to ideas from “Monster Culture,” and “Decoding Advertisements” to analyze and interpret a static visual advertisement in order to make an insightful argument. The advertisement you select should either depict an explicit “monster” or something that the intended audience would arguably perceive as “monstrous.” Your goal is to decode your exhibit’s explicit and implicit messages and the methods by which it conveys its message(s). In the essay, you must also determine the intended audience for your selected advertisement. You must also consider how analysis of your exhibit complicates or extends the intellectual conversation occurring between “Monster Culture” and “Masters of Desire” or “Decoding Advertisements.”

Imagine that you are writing to be considered for publication in an upcoming issue of a respected scholarly student journal focused on modern visual culture. The journal is distributed to colleges and universities around the country.

Over the course of your formal draft, carefully analyze specific aspects of your advertisement using lens analysis whenever possible in order to develop and support your opinion about the messages of the advertisement and its intended audience.

Please refer to the attachment for how to write Visual-Analysis and Lens Analysis.

Include a Works Cited list on a separate page using MLA style.

Goals:

• Continue to work on the goals from the first assignment: using the introduction to orient the reader and identify an interpretive or intellectual problem; formulating a strong claim; establishing a motive; maintaining a coherent structure; using evidence fairly and persuasively.

• Integrate your sources with deliberation and purpose. The sources can be used to articulate the motive, establish the intellectual conversation, provide context or key terms, analyze evidence to support your claim, or argue with other interpretations. Document sources using the MLA in-text citation method. Include a works cited page. Practice ICE: introduce, cite, explain.

• Have cohesion and coherence in your prose on the sentence level and on the paragraph level. Your diction should be precise. Avoid clichés of language and clichés of thought.

• Have an interesting and informative title.

• Adhere to all relevant formatting guidelines described in the course syllabus.

The final draft must be between 1600 and 1800 words.

——————————————————————————————————————————————————————

Essay Draft

Advertising as the primary commercial promotion method has a long history in human civilization, and its development is accompanied by the technological progress and cultural development of human society. In the modern era, new forms of advertising are constantly being produced with the continuous development of science and technology. In order to cater to the audience’s visual taste and delight the audience, The form of advertising began to break through the bland and single traditional forms of expression, and began to incorporate more innovative, bizarre, and even grotesque creativity to attract the audience’s attention. For example, the use of monster themes creates a grotesque, mysterious atmosphere for the main body of the advertisement, creating visual impact, shock, and mystery for the advertising audience, prompting the audience to further understand the driving force of the advertising theme. As Cohen, the author of Monster Cultural Theory, mentioned in his thesis: Monsters are the main body that arises on the edge of cultural differences. Advertising is no longer just a media to promote products and ideas. It has become a carrier of culture and carries advertising reflections—specific cultural information. For example, the advertisement poster from the famous movie ‘The Shape of Water.’ In this poster, there are two figures in which a humanoid mermaid monster is hugging with a young woman. They are suspending in the deep ocean. Watch this beautiful poster for the first moment, audiences can feel that the theme of the poster seems to express ‘Beauty and the Beast,’ an eternal classic love theme across the race. At the same time, the mermaid monster and beauty also imply the relationship between human beings and nature, prompting people that human beings are connected with nature closely. Human beings should love nature and care for nature. It is the only environmental space on which human beings depend for survival.

By looking further at this poster, two extraordinary figures were shown in front of the audience. They hugged and hovered in the deep blue ocean intimately. The darker background tones in the entire image and the sunlight projected on the figures create an atmosphere that highlights the figure. An effect similar to the stage reminds the audience of the famous Baroque painting style. The figure on the left is a humanoid mermaid monster. He is tall and burly, with clear, strong muscles. On his arms, back, and legs are covered with fins, and also he is covered with fluorescent skin texture. From these characteristics, the audience can realize that he should be the legendary mermaid. But unlike the image of a female mermaid in the past. The figure in the picture should be a male, and he is different from the general legend that the lower body of the mermaid is in the form of a fish tail, and he is completely in the form of the lower leg of a human leg. His face was blocked by the beautiful woman’s head on the right, and the audience could not clearly see his facial features, which added some mystery to his identification. His arms embraced the beauty on the right tightly, softly, and tenderly. The beauty also embraced the mermaid tightly and tenderly. Looking at the beauty on the right, her body naturally floats in the deep sea. The audience can vaguely see that the beauty of the beauty is calm and serene. There is no sign of drowning or struggling. Her hair was loosely suspended in the water, as if she had found the strong arm that she depended on, her destination. From the skirts and high heels of beautiful women, we can roughly know that the plot of the story probably happened in the 1950s and 1960s. The shoes on the left foot of the beautiful woman have slipped and moved forward, and the right foot of the mermaid has slightly receded backward, like a beautiful woman. As she walked towards the mermaid, the mermaid accepted the beauty with his arms open. The physical interaction between the two figures is as if they are dancing in the water. Although there are some bubbles above the two figures, they have no signs of drowning or struggling. On the contrary, they seem to make them more calm and serene in the water, just like they are in the familiar environment in the ocean, they adapt The environment, the ocean is their home. All these signs have deeply attracted the attention of those who have a strong interest in science fiction and monster themes. At the same time, this classic love theme of ‘Beauty and Beast’ will also attract most audiences of any age.

The composition of the entire poster brought a strong visual shock to the audience with colors and character settings. The overall darker tone in the image adds a layer of mystery to the theme of the poster. The upper and lower edges of the poster shows some light fish scale textures, suggesting that the story of the poster’s figures is connected to the mermaid and the ocean closely. Although the figure of the poster is suspending in the deep ocean, their body movements and expressions make the audience feel very calm and relaxed. The sign of the poster does not make the audience feel nervous or scared but makes the audience feel very comfortable with the overall composition. The audience will not worry about her fate because the mermaid monster embraces her. The gentleness of the mermaid monster on the body makes the audience not worry that the monster will harm the beauty. Besides, although the beauty and the mermaid are suspending in the deep ocean, the audience will not worry that they will drown. The audience has a new question: Do beautiful women breathe and survive in the deep sea like a mermaid? They hug each other tenderly in the deep sea and also herald their relationship. They love each other deeply, only love the persuasive power of the two will make the two figures across the race indescribably powerful, so that they will love each other deeply and tie the other regardless of the danger and the cost of life. The information conveyed from the poster alone has deeply moved the audience and attracted the audience’s interest, arousing the audience’s interest in further understanding of the movie.

This poster successfully displays the theme it wants to convey to the audience: a timeless classic love story across races of new ‘Beauty and the Beast,’ and creates a mysterious and intimate atmosphere. As if introducing the audience’s perspective into the poster and exploring the figure’s fate story together, who is this mermaid monster? Why would he have emotional entanglements with beautiful women? How is the beauty attracted by the mermaid monster, regardless of the danger, regardless of life to approach the mermaid monster and fall in love with the mermaid wholeheartedly?In addition, the mermaid on the poster is different from the well-known history of the mermaid. His tail fin disappeared and was replaced by human-shaped legs. This enhanced anthropomorphic effect enhances the entanglement in the love relationship between mermaid and beauty. For those who are fascinated by the theme of science fiction, fantasy, and monsters, they have a driving force to understand the meaning and development of the story deeply. Even so, the mermaid is not a typical monster. So far, it has only been produced in human cultural writings, human fantasy, no one has seen and encountered the mermaid in the real world. They exist on the edge of human thought, and they rarely appear in human society. However, clues of mermaids can always be found in many human cultural writings. They can always return to the human story, and their form is always different in each return. As the writer Jeffrey Jerome Cohen mentioned in his book ‘Monster Culture Seven Theses,’ he stated “”Monster theory” must therefore concern itself with strings of cultural moments, connected by a logic that always threatens to shift; invigorated by change and escape, by the impossibility of achieving what Susan Stewart calls the desired “fall or death, the stopping” of its gigantic subject,”(Cohen,6) Therefore, the monster is the manifestation of any form of difference, whether it is ideology, culture, gender or Racial differences. Like Cohen said: “The monster is difference made flesh, come to dwell among us…Any kind of alterity can be inscribed across (constructed through) the monstrous body, but for the most part monstrous difference tends to be cultural, political, racial, economic, sexual.” In this respect, the poster succeeded in conveying his theme to the audiences, a classic love story of beauties and beasts across races. Moreover, it also caused the audience to further in-depth thinking. Does this theme imply society? What are the mysterious ideas that the mermaid and the beauty themselves are all metaphorizing? Attract the audience into the theme space they created.

The poster of ‘The Shape of Water’ is very successful in terms of advertising conception, creativity, and effects. Its overall dark blue and dark tones effectively highlight the mystery of the poster theme. Furthermore, it effectively expressed the theme of the poster’s love and passed all the detailed information to the audience. The effect expected by the publisher has been achieved, which has expanded to the influence of the poster, making it impressive in the audience’s vision and driving the desire to watch movies. In other words, this movie poster advertisement effectively communicated the overt content through his performance its ‘form.’ According to the discussion in Judith Williamson’s book ‘Decoding Advertisements’: “We can only understand what advertisements mean by finding out how they mean, and analyzing the way in which they work. What an advertisement ‘says’ is merely what it claims to say; it is part of the deceptive mythology of advertising to believe that an advertisement is simply a transparent vehicle for a ‘message’ behind it.” Those concepts prompts the audience to explore the meaning behind the advertisement and the deep meaning hidden under the surface phenomenon carried by the advertisement, to understanding and analyzing the information carried in the advertisement form. From this poster, the mermaid monster can imply that the mermaid is a creature belonging to nature, and refers to the mermaid as representing nature, whether it has positive or negative information. On the other hand, beauty is a metaphor for the essence of humanity, and the beauty means that humanity is weak and powerless in front of nature. The entanglement between mermaid monsters and the beauty, their love connection also metaphorically the relationship between nature and human beings, and the dependence of human beings on nature. Humans should love and care about the natural environment on which they live and cherish each other with nature.

In conclusion, this mysterious and charming movie poster of ‘The Shape of Water’ shows the audience a classic love story scene in which two figures from different worlds accept the challenges of race, culture, and life. Furthermore, there is a love that crosses the boundaries of species. It uses the accurate color application, meticulous details to describe and through these effective advertising promotion methods, it combines the interesting monster theory with the theme of the classic fairy tale “Beauty and the Beast,” showing the audience the greatness of love. Furthermore, it implies the interdependent relationship between human beings and nature, and it also warns humans to care about nature.This is the natural environment on which humans depend and the only earth for Humanity.

Works Cited

Cohen, Jeffrey. Jerome. (Editor). Monster culture (seven theses). Monster Theory: Reading Culture, edited by Jeffrey Jerome Cohen, University of Minnesota Press, 1996. Advertising as the primary commercial promotion method has a long history in
human civilization, and its development is accompanied by the technological progress
and cultural development of human society. In the modern era, new forms of advertising
are constantly being produced with the continuous development of science and
technology. In order to cater to the audience’s visual taste and delight the audience, The
form of advertising began to break through the bland and single traditional forms of
expression, and began to incorporate more innovative, bizarre, and even grotesque
creativity to attract the audience’s attention. For example, the use of monster themes
creates a grotesque, mysterious atmosphere for the main body of the advertisement,
creating visual impact, shock, and mystery for the advertising audience, prompting the
audience to further understand the driving force of the advertising theme. As Cohen,
the author of Monster Cultural Theory, mentioned in his thesis: Monsters are the main
body that arises on the edge of cultural differences. Advertising is no longer just a media
to promote products and ideas. It has become a carrier of culture and carries advertising
reflections—specific cultural information. For example, the advertisement poster from
the famous movie ‘The Shape of Water.’ In this poster, there are two figures in which a
humanoid mermaid monster is hugging with a young woman. They are suspending in
the deep ocean. Watch this beautiful poster for the first moment, audiences can feel that
the theme of the poster seems to express ‘Beauty and the Beast,’ an eternal classic love
theme across the race. At the same time, the mermaid monster and beauty also imply
the relationship between human beings and nature, prompting people that human beings
are connected with nature closely. Human beings should love nature and care for nature.
It is the only environmental space on which human beings depend for survival.
By looking further at this poster, two extraordinary figures were shown in front of
the audience. They hugged and hovered in the deep blue ocean intimately. The darker
background tones in the entire image and the sunlight projected on the figures create an
atmosphere that highlights the figure. An effect similar to the stage reminds the
audience of the famous Baroque painting style. The figure on the left is a humanoid
mermaid monster. He is tall and burly, with clear, strong muscles. On his arms, back,
and legs are covered with fins, and also he is covered with fluorescent skin texture.
From these characteristics, the audience can realize that he should be the legendary
mermaid. But unlike the image of a female mermaid in the past. The figure in the picture
should be a male, and he is different from the general legend that the lower body of the
mermaid is in the form of a fish tail, and he is completely in the form of the lower leg
of a human leg. His face was blocked by the beautiful woman’s head on the right, and
the audience could not clearly see his facial features, which added some mystery to his
identification. His arms embraced the beauty on the right tightly, softly, and tenderly.
The beauty also embraced the mermaid tightly and tenderly. Looking at the beauty on
the right, her body naturally floats in the deep sea. The audience can vaguely see that
the beauty of the beauty is calm and serene. There is no sign of drowning or struggling.
Her hair was loosely suspended in the water, as if she had found the strong arm that she
depended on, her destination. From the skirts and high heels of beautiful women, we
can roughly know that the plot of the story probably happened in the 1950s and 1960s.
The shoes on the left foot of the beautiful woman have slipped and moved forward, and
the right foot of the mermaid has slightly receded backward, like a beautiful woman.
As she walked towards the mermaid, the mermaid accepted the beauty with his arms
open. The physical interaction between the two figures is as if they are dancing in the
water. Although there are some bubbles above the two figures, they have no signs of
drowning or struggling. On the contrary, they seem to make them more calm and serene
in the water, just like they are in the familiar environment in the ocean, they adapt The
environment, the ocean is their home. All these signs have deeply attracted the attention
of those who have a strong interest in science fiction and monster themes. At the same
time, this classic love theme of ‘Beauty and Beast’ will also attract most audiences of
any age.
The composition of the entire poster brought a strong visual shock to the audience
with colors and character settings. The overall darker tone in the image adds a layer of
mystery to the theme of the poster. The upper and lower edges of the poster shows some
light fish scale textures, suggesting that the story of the poster’s figures is connected to
the mermaid and the ocean closely. Although the figure of the poster is suspending in
the deep ocean, their body movements and expressions make the audience feel very
calm and relaxed. The sign of the poster does not make the audience feel nervous or
scared but makes the audience feel very comfortable with the overall composition. The
audience will not worry about her fate because the mermaid monster embraces her. The
gentleness of the mermaid monster on the body makes the audience not worry that the
monster will harm the beauty. Besides, although the beauty and the mermaid are
suspending in the deep ocean, the audience will not worry that they will drown. The
audience has a new question: Do beautiful women breathe and survive in the deep sea
like a mermaid? They hug each other tenderly in the deep sea and also herald their
relationship. They love each other deeply, only love the persuasive power of the two
will make the two figures across the race indescribably powerful, so that they will love
each other deeply and tie the other regardless of the danger and the cost of life. The
information conveyed from the poster alone has deeply moved the audience and
attracted the audience’s interest, arousing the audience’s interest in further
understanding of the movie.
This poster successfully displays the theme it wants to convey to the audience: a
timeless classic love story across races of new ‘Beauty and the Beast,’ and creates a
mysterious and intimate atmosphere. As if introducing the audience’s perspective into
the poster and exploring the figure’s fate story together, who is this mermaid monster?
Why would he have emotional entanglements with beautiful women? How is the beauty
attracted by the mermaid monster, regardless of the danger, regardless of life to
approach the mermaid monster and fall in love with the mermaid wholeheartedly? In
addition, the mermaid on the poster is different from the well-known history of the
mermaid. His tail fin disappeared and was replaced by human-shaped legs. This
enhanced anthropomorphic effect enhances the entanglement in the love relationship
between mermaid and beauty. For those who are fascinated by the theme of science
fiction, fantasy, and monsters, they have a driving force to understand the meaning and
development of the story deeply. Even so, the mermaid is not a typical monster. So far,
it has only been produced in human cultural writings, human fantasy, no one has seen
and encountered the mermaid in the real world. They exist on the edge of human
thought, and they rarely appear in human society. However, clues of mermaids can
always be found in many human cultural writings. They can always return to the human
story, and their form is always different in each return. As the writer Jeffrey Jerome
Cohen mentioned in his book ‘Monster Culture Seven Theses,’ he stated “”Monster
theory” must therefore concern itself with strings of cultural moments, connected by a
logic that always threatens to shift; invigorated by change and escape, by the
impossibility of achieving what Susan Stewart calls the desired “fall or death, the
stopping” of its gigantic subject,”(Cohen,6) Therefore, the monster is the manifestation
of any form of difference, whether it is ideology, culture, gender or Racial differences.
Like Cohen said: “The monster is difference made flesh, come to dwell among us…Any
kind of alterity can be inscribed across (constructed through) the monstrous body, but
for the most part monstrous difference tends to be cultural, political, racial, economic,
sexual.” In this respect, the poster succeeded in conveying his theme to the audiences,
a classic love story of beauties and beasts across races. Moreover, it also caused the
audience to further in-depth thinking. Does this theme imply society? What are the
mysterious ideas that the mermaid and the beauty themselves are all metaphorizing?
Attract the audience into the theme space they created.
The poster of ‘The Shape of Water’ is very successful in terms of advertising
conception, creativity, and effects. Its overall dark blue and dark tones effectively
highlight the mystery of the poster theme. Furthermore, it effectively expressed the
theme of the poster’s love and passed all the detailed information to the audience. The
effect expected by the publisher has been achieved, which has expanded to the influence
of the poster, making it impressive in the audience’s vision and driving the desire to
watch movies. In other words, this movie poster advertisement effectively
communicated the overt content through his performance its ‘form.’ According to the
discussion in Judith Williamson’s book ‘Decoding Advertisements’: “We can only
understand what advertisements mean by finding out how they mean, and analyzing the
way in which they work. What an advertisement ‘says’ is merely what it claims to say;
it is part of the deceptive mythology of advertising to believe that an advertisement is
simply a transparent vehicle for a ‘message’ behind it.” Those concepts prompts the
audience to explore the meaning behind the advertisement and the deep meaning hidden
under the surface phenomenon carried by the advertisement, to understanding and
analyzing the information carried in the advertisement form. From this poster, the
mermaid monster can imply that the mermaid is a creature belonging to nature, and
refers to the mermaid as representing nature, whether it has positive or negative
information. On the other hand, beauty is a metaphor for the essence of humanity, and
the beauty means that humanity is weak and powerless in front of nature. The
entanglement between mermaid monsters and the beauty, their love connection also
metaphorically the relationship between nature and human beings, and the dependence
of human beings on nature. Humans should love and care about the natural environment
on which they live and cherish each other with nature.
In conclusion, this mysterious and charming movie poster of ‘The Shape of Water’
shows the audience a classic love story scene in which two figures from different worlds
accept the challenges of race, culture, and life. Furthermore, there is a love that crosses
the boundaries of species. It uses the accurate color application, meticulous details to
describe and through these effective advertising promotion methods, it combines the
interesting monster theory with the theme of the classic fairy tale “Beauty and the
Beast,” showing the audience the greatness of love. Furthermore, it implies the
interdependent relationship between human beings and nature, and it also warns
humans to care about nature.
This is the natural environment on which humans
depend and the only earth for Humanity.
Works Cited
Cohen, Jeffrey. Jerome. (Editor). Monster culture (seven theses). Monster Theory:
Reading Culture, edited by Jeffrey Jerome Cohen, University of Minnesota Press, 1996.
Please help to improve and revise my existing essay, correct grammatical errors, incoherent
sentences, and emphasize topics. Strengthen thesis and arguments.
This Visual Analysis should only focus on the poster of ‘the shape of water.’ Please Do Not
involve the plot of the movie, Only Visual Analysis on the poster of ‘the shape of water.’
To use ideas from “Monster Culture,” and “Decoding Advertisements” to analyze and interpret
a static visual advertisement in order to make an insightful argument. The advertisement you
select should either depict an explicit “monster” or something that the intended audience
would arguably perceive as “monstrous.” Your goal is to decode your exhibit’s explicit and
implicit messages and the methods by which it conveys its message(s). In the essay, you must
also determine the intended audience for your selected advertisement. You must also consider
how analysis of your exhibit complicates or extends the intellectual conversation occurring
between “Monster Culture” and “Masters of Desire” or “Decoding Advertisements.”
Imagine that you are writing to be considered for publication in an upcoming issue of a
respected scholarly student journal focused on modern visual culture. The journal is
distributed to colleges and universities around the country.
Over the course of your formal draft, carefully analyze specific aspects of your advertisement
using lens analysis whenever possible in order to develop and support your opinion about the
messages of the advertisement and its intended audience.
Please refer to the attachment for how to write Visual-Analysis and Lens Analysis.
Include a Works Cited list on a separate page using MLA style.
Goals:
• Continue to work on the goals from the first assignment: using the introduction to orient
the reader and identify an interpretive or intellectual problem; formulating a strong claim;
establishing a motive; maintaining a coherent structure; using evidence fairly and persuasively.
• Integrate your sources with deliberation and purpose. The sources can be used to articulate
the motive, establish the intellectual conversation, provide context or key terms, analyze
evidence to support your claim, or argue with other interpretations. Document sources using
the MLA in-text citation method. Include a works cited page. Practice ICE: introduce, cite,
explain.
• Have cohesion and coherence in your prose on the sentence level and on the paragraph
level. Your diction should be precise. Avoid clichés of language and clichés of thought.
• Have an interesting and informative title.
• Adhere to all relevant formatting guidelines described in the course syllabus.
The final draft must be between 1600 and 1800 words.
1
Monster Culture (Seven Theses)
Copyright © 1996. University of Minnesota Press. All rights reserved.
Jeffrey Jerome Cohen
What I will propose here by way of a first foray, as entrance into this
book of monstrous content, is a sketch of a new modus legendi: a method
of reading cultures from the monsters they engender. In doing so, I will
partially violate two of the sacred dicta of recent cultural studies: the
compulsion to historical specificity and the insistence that all knowledge
(and hence all cartographies of that knowledge) is local. Of the first I
will say only that in cultural studies today history (disguised perhaps
as “culture”) tends to be fetishized as a telos, as a final determinant of
meaning; post de Man, post Foucault, post Hayden White, one must
bear in mind that history is just another text in a procession of texts, and
not a guarantor of any singular signification. A movement away from the
longue duree and toward microeconomics (of capital or of gender) is associated most often with Foucauldian criticism; yet recent critics have
found that where Foucault went wrong was mainly in his details, in
his minute specifics. Nonetheless, his methodology—his archaeology of
ideas, his histories of unthought—remains with good reason the chosen
route of inquiry for most cultural critics today, whether they work in
postmodern cyberculture or in the Middle Ages.
And so I would like to make some grand gestures. We live in an age
that has rightly given up on Unified Theory, an age when we realize that
history (like “individuality,” “subjectivity,” “gender,” and “culture”) is
composed of a multitude of fragments, rather than of smooth epistemological wholes. Some fragments will be collected here and bound
temporarily together to form a loosely integrated net—or, better, an
unassimilated hybrid, a monstrous body. Rather than argue a “theory of
3
Monster Theory : Reading Culture, edited by Jeffrey Jerome Cohen, University of Minnesota Press, 1996.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/gwu/detail.action?docID=310376.
Created from gwu on 2017-08-27 11:17:46.
4
Jeffrey Jerome Cohen
teratology,” I offer by way of introduction to the essays that follow a set
of breakable postulates in search of specific cultural moments. I offer
seven theses toward understanding cultures through the monsters they
bear.
Copyright © 1996. University of Minnesota Press. All rights reserved.
Thesis I: The Monster’s Body Is a Cultural Body
Vampires, burial, death: inter the corpse where the road forks, so that
when it springs from the grave, it will not know which path to follow.
Drive a stake through its heart: it will be stuck to the ground at the fork,
it will haunt that place that leads to many other places, that point of indecision. Behead the corpse, so that, acephalic, it will not know itself as
subject, only as pure body.
The monster is born only at this metaphoric crossroads, as an embodiment of a certain cultural moment—of a time, a feeling, and a place.1
The monster’s body quite literally incorporates fear, desire, anxiety, and
fantasy (ataractic or incendiary), giving them life and an uncanny independence. The monstrous body is pure culture. A construct and a
projection, the monster exists only to be read: the monstrum is etymologically “that which reveals,” “that which warns,” a glyph that seeks a
hierophant. Like a letter on the page, the monster signifies something
other than itself: it is always a displacement, always inhabits the gap between the time of

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