Broward Community College Billy Wilders Double Indemnity Questions Please assist with answering these questions in full sentences . Please do not plagiariz

Broward Community College Billy Wilders Double Indemnity Questions Please assist with answering these questions in full sentences . Please do not plagiarize x 1
In what way is the leg-wound of the silhouette we see at the opening of Billy Wilder’s
Double Indemnity (1944) not as random as its explanation in the film makes it appear?
2
Who are the Greek Fates and what is their shared occupation?
3
What is the basic hero act, according to Joseph Campbell?
4
In Sigmund Freud’s essay on The Merchant of Venice, entitled “The Theme of the Three
Caskets” who does he believe that Portia really represents?
5
Who has set the rules of the riddle by which Portia is bound in Shakespeare’s The
Merchant of Venice?
6
What coded message seems to be hidden in the song “Tell Me Where is Fancy Bred?” in
Shakespeare’s The Merchant of Venice (1600)?
7
What does Portia’s masculine alter ego “Balthazar” in The Merchant of Venice (1600)
help her to discover about her new husband?
8
Explain how the villain Shylock’s punishment at the end of Shakespeare’s The Merchant
of Venice (1600) makes him doubly an “outsider” inside Venice.
9
In what sense do Lola and Phyllis Dietrichson in the film Double Indemnity (1944)
exemplify the “Light Woman/Dark Woman” polarity later see in Fatal Attraction (1987)?
10
How was the Madama Butterfly theme in Fatal Attraction (1987) lost by the alteration of
the film’s original ending?
11
In Alfred Hitchcock’s Psycho (1960), what is it that the character Cassidy does not
“declare” that makes him a sort of thief?
12
How does Hitchcock’s Psycho (1960) split or double itself structurally after the end of its
first hour?
13
Give one example of a disjunction or incongruity new to clowning that was first
personified or epitomized by the clown Joseph “Joey” Grimaldi according to Andrew
Stott.
14
How is Lord Henry Wotton a sort of “Mephistopheles” in Wilde’s The Picture of Dorian
Gray (1890)?
15
Explain how the Victorian poet Violet Fane managed to be at the same time a fictional
character and a real person.
16
Give one specific example from Wilde’s The Picture of Dorian Gray (1890) that reflects
its characters’ confusion of reality with the ideal world of art.
17
What is the importance of the “lye” in David Fincher’s Fight Club (1999)?
18
In Chuck Palahniuk’s Fight Club (1996) what is the cause of the narrator’s alienation
from himself?
19
How does the destruction of the tallest buildings at the ending of David Fincher’s Fight
Club (1999) reflect Tyler Durden’s social goals?
20
Why did the “villein” arise as a new class or category of person in the Middle Ages?
Total: ___/90%

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