Santa Monica College Parthenon Marbles Discussion My requirements are to answer the questions in full sentences. here all the links that need to be used to

Santa Monica College Parthenon Marbles Discussion My requirements are to answer the questions in full sentences. here all the links that need to be used to answer them in order that and bullet pointed in question #1 https://www.khanacademy.org/humanities/special-topics-art-history/arches-at-risk-cultural-heritage-education-series/arches-beginners-guide/a/what-is-cultural-heritage

Who owns the Parthenon sculptures?

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Santa Monica College Parthenon Marbles Discussion My requirements are to answer the questions in full sentences. here all the links that need to be used to

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https://www.theguardian.com/artanddesign/jonathanjonesblog/2015/may/14/parthenon-sculptures-elgin-marbles-greece-nationalism-british-museum

and i will attach the assignment. question 1 is just reading so, please answer questions 2,3 only. thank you! 1:00 a
Discussion #1 (graded): Cultural…
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Discussion #1 (graded): Cultural
Heritage: Who Owns Art?
Due: Sep 15, 2019 at 11:59 PM
Discussion: Cultural Heritage: Who Owns Art?
We’ve learned about historical context and how
important it is to understanding and interpreting a
work of art. As much as history is part of an
work’s meaning, so, too, is the art of a given
culture considered to be part of its collective
history. What we sometimes refer to as cultural
heritage includes the customs, places, and
objects of a culture. But who can claim ownership
of ‘cultural heritage’? Communities move from
place to place and most cultures were not
homogeneous, especially over hundreds of years.
Physical objects can easily pass over land from
one region to the next, just like they might pass
from one family member to a member the next
generation, get lost, stolen, or sold to someone
completed unrelated to the community in which
the object originated.
You may have never thought about how art gets
from one place – like Greece – to a museum in
another country – like the United Kingdom. But
when we look at some of the greatest museum
collaatione in the world man of their abisata
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when we look at some of the greatest museum
collections in the world, many of their objects
come from places outside their borders. How did
they get there? Who owns those objects,
technically, and should they? With the redrawing
of borders and the establishment of countries only
as recently as the late 18th and 19th centuries,
where can some of the most ancient objects
rightfully call home, if not the museum? Strict
laws regarding ownership and repatriation of
cultural objects made as late as 1970, meaning
that it is only within the last 50 years or so that
taking an object from one place to another without
proper paperwork could be considered illegal.
Can anyone, in reality, claim “ownership” of
ancient art?
Below, I’d like us to “discuss” as a class the topic
of the repatriation of (meaning return of) the
Parthenon sculptures, sometimes referred to as
the ‘Elgin marbles’. Please carefully read through
all the instructions below and complete this
assignment in the ‘Reply’ section. Be aware I will
be reading your responses and commenting,
asking questions, and interjecting! Be prepared to
respond back to me and/or your fellow students!
INSTRUCTIONS:
. LIL
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INSTRUCTIONS:
Please submit both your response and a
comment on another student’s post on or
before Sunday, September 15th. Remember,
it’s best to post early!! I may make comments
and/or give feedback to you that you will need
to respond to in order to receive full credit!
1. Read this introduction to the topic of cultural
heritage.
Then, keeping the ideas presented in that article
in mind, study the following materials about
repatriating Greece’s Parthenon sculptures,
specifically:
• Who Owns the Parthenon Sculptures?
• Victoria Ward, “Why are the Elgin Marbles so
controversial — and everything else you need
to know,” in The Telegraph, 5 December
2014
• Jonathan Jones, “Parthenon Marbles:
Greece’s claim is nationalist rhetoric that
deserves to fail,” in The Guardian
Newspaper, 14 May
2015
Eileen Kinsella, “Greece’s Prime Minister
Asks Theresa May to return the Elgin
Marbles – again,” in artnetnews.com, June
27, 2018
2. Summarize the problem surrounding the
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2. Summarize the problem surrounding the
Parthenon sculptures (1 -2 sentences). (20
points)
3. Defend one side of the Parthenon sculpture
debate. Who do you think is right and WHY? (2-3
sentences). (20 points)
4. Post a meaningful comment on someone else’s
response. Do not simply say “I agree” or “Good
job”. Answers such as these will not receive any
credit. The idea is to move the conversation
forward. ALWAYS be respectful of your fellow
classmates. (10 points)
To succeed on this assignment you will:
• Summarize the issue of the Parthenon
sculptures and defend a side
• Follow all instructions above.
• Make an meaningful contribution to the
discussion by posting a comment on another
student’s post.
• Use your own words. Summarize and
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Discussion #1 (graded): Cultural…
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To succeed on this assignment you will:
• Summarize the issue of the Parthenon
sculptures and defend a side
• Follow all instructions above.
• Make an meaningful contribution to the
discussion by posting a comment on another
student’s post.
• Use your own words. Summarize and
synthesize information. Do not quote. Do
not copy and paste. Responses that do will
receive no credit and may be reported for
Academic Dishonesty.
This assignment will:
• Help you better understand the role of
museums in the global art trade
• Allow you to consider the museum as a
construct for art objects
• Ask you to think about the lifespan of an
object and what art objects mean to the
culture they originated from
Expand your thinking about cultural context
and meaning of an art object
• Clue you in to current events surrounding art
objects
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