Webster University Black Music in America Paper see the attached file and add a thesis statement at the begening about why did I choose these singers ( jus

Webster University Black Music in America Paper see the attached file and add a thesis statement at the begening about why did I choose these singers ( just say that these singers shaped the black music etc..)Also add to every singers general information about him/her ( date of birth – place of birth- known As)thats it. 10 Singers Theses
13th November, 2019
First Generation
Bessie Smith
How did Bessie Smith Music portray the prominence of domestic violence faced by women in the
1920s and 1930s? Bessie Smith’s music opened up on the intensity of physical and mental abuse
of women in the 1920s and 1930s which was often normalized and later created a path that allowed
women to voice their concerns on domestic violence1.
Gertrude Ma Rainey
What was the impact of Gertrude Ma Rainey’s blues on black feminism in the 20th century?
Gertrude Ma Rainey’s music represented the oppression of black women in the 20th century
regarding the double standards on sexuality and gender roles as compared to the Victorian Era.
Second Generation
Celia Cruz
How did Celia Cruz improve the visibility of the Afro Latin music culture? The contributions of
Celia Cruz on Afro Latin culture left significant marks on by increasing the visibility of Latin
music to the world and ending the domination of men in Latin Music.
Dinah Washington
What was the impact of Dinah Washington music on black culture? Washington’s music opened
doors for other African American women singers and also addressed the issue of racism in the
church.
Rutter, Emily. “The Blues Tribute Poem and the Legacies of Gertrude “Ma” Rainey and Bessie Smith.” MELUS 39, no. 4
(2014): 69-91.
1
Third Generation
Nona Hendricks
How did Nona Hendricks’s music consolidate on the concepts of gender and race as rock and disco
gained media popularity in the 1970s? Hendricks’ music promoted a framework that allowed
women to open up regarding the issue of women’s rights and racial discrimination in America2.
Aretha Franklin
What was the impact of Aretha Franklin’s music on the civil rights movement? Aretha had the
lifelong and unwavering commitment towards the civil rights movement which was evident in the
use of the musical platform to voice the issue of racial inequality that was faced by African
Americans3.
Fourth Generation
J. Cole
How has J. Cole’s music addressed the issue of racial discrimination in America? J Cole’s music
has allowed the listeners to reflect on the minority oppression; African American community and
women following the domination of the Culture.
Kanye West
How does Kanye West contradict the mainstream opinion of the African American community
regarding racial discrimination? Kanye West has a different ideology regarding racial
2
Retman, Sonnet. “Between rock and a hard place: narrating nona hendryx’s inscrutable career.” Women & Performance: A
Journal of Feminist Theory 16, no. 1 (2006): 107-118.
3 Feldstein, Ruth. ““I Don’t Trust You Anymore”: Nina Simone, Culture, and Black Activism in the 1960s.” The Journal of
American History 91, no. 4 (2005): 1349-1379.
discrimination explaining that racism is not a white and black issue and also refers to as “dated”
and “silly”
Fifth Generation
Nipsey Hussle
How does Nipsey Hussle’s music motivate the youth and encourage them on humanity? Nipsey
Hussle music leaves a long-lasting impact on African American youth by motivating them to invest
more in themselves and also carry along humane acts across the world.
Big Sean
What is the impact of Big Sean’s music on the listeners’ portrayal of gratitude towards the family
and the community? Big Sean’s music has created a path that educates the public to more gracious
of their families and their background communities regardless of the current achievements.
Bibliography
Feldstein, Ruth. ““I Don’t Trust You Anymore”: Nina Simone, Culture, and Black Activism in the
1960s.” The Journal of American History 91, no. 4 (2005): 1349-1379.
Retman, Sonnet. “Between rock and a hard place: narrating nona hendryx’s inscrutable
career.” Women & Performance: A Journal of Feminist Theory 16, no. 1 (2006): 107-118.
Rutter, Emily. “The Blues Tribute Poem and the Legacies of Gertrude “Ma” Rainey and Bessie
Smith.” MELUS 39, no. 4 (2014): 69-91.

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